摘要
加缪发表于1942年的中篇小说《局外人》构建了一个与世界剥离的“局外人”默尔索形象。本文将主要阐释默尔索直面与反抗荒诞的方式,以及从中体现出的尊严与自由的幸福。
Albert Camus'The Stranger,published in 1942,constructs an image of Meursault as a stranger separated from the world.This paper will focus on the way Meursault confronts and resists the absurdity of life,as well as his dignity and his happiness from the freedom.
作者
李宇舒
Li Yushu(Department of Chinese Literature,Fudan University)
出处
《世界文学评论(高教版)》
2023年第1期41-45,共5页
The World Literature Criticism
关键词
《局外人》
荒诞
反抗
自由
The Stranger
absurdism
resistance
freedom