摘要
在前人研究的基础上,本文聚焦张爱玲散文中有关日常生活的描绘和叙述,考察以她为代表的女性作家,如何在沦陷时期的上海,以区别于宏大国族叙事的日常生活为素材,建构一套独特的反思"现代性"话语。相比于小说,散文/小品文这一体裁,在处理琐碎日常方面更具灵活性。关注张爱玲散文独立于小说的研究价值,更能有效把握这一时期女性作家的日常书写,反思现代民族国家论述中的价值和意义。
This paper focus on Eileen Chang’s essays instead of her well-known novels,in order to investigate how she constructed her own discourse based on everyday life.Under the occupied Shanghai,female writers like Chang,made use of daily resources in their writing practice.Although they rejected discourse about nation-states,modernity,revolution,and others,in their literary works,it was exactly that these characteristics distinct themselves from others,worth further investigation.
作者
严诗喆
Yan Shizhe(University of Singapore)
出处
《世界文学评论(高教版)》
2019年第2期138-142,共5页
The World Literature Criticism
关键词
张爱玲
散文
现代性
日常
女性书写
Eileen Chang
essay
modernity
daily
female writers