自我与他者的距离——《青春之歌》中林道静形象的译介与认同

Distance Between the Self and the Other——The Translation and Identification of Lin Tao-ching’s Image in The Song of Youth

本文尝试运用文学形象学分析《青春之歌》中林道静的形象特征,以探知红色经典中知识女性形象的书写特色、译介方式和认同过程。研究发现,源语文本中林道静的自我形象呈现多元化的性格侧面,目标语文本中的他者形象则更强化其作为革命者的角色特征。而由于核心价值观、文化身份、政治语境、形象认同方式等方面的差异,国外研究者对这一他者形象进行了差异化解读,由此加大了与自我形象的距离。本研究突显了红色经典译介中形象建构与社会认同的重要意义。

Within the framework of literary imagology,this paper makes an analysis of the image features of Lin Tao-ching in The Song of Youth,as a case study on the writing,translation and identification of female intellectual images in revolutionary or red classics.It is found that in the source text,Lin’s auto-image is characterized by diversified personalities,while in the target text,her hetero-image as a revolutionary has been intensified.Due to their differences in core values,cultural identities,political contexts,image identity approaches,etc.,researchers abroad made differentiated interpretations of Lin’s hetero-image,hence far distanced from her self-image.The present study highlights the importance of image formation and social identification in translating red classics.