中华生命力美学的问题之思

Thoughts on Chinese Aesthetics of Vitality

在生命力对生命感觉、意志、情感差异进行捍卫并产生文化创造力的意义上,中华生命力美学以改造传统儒道美学和西方生命美学的美学问题为宗旨,旨在从中国儒道文化轻视和排斥的生命力之历史和现实中提出自己的美学问题:一是从历史上汉民族外受侵略、内受奴役,个体生命不能捍卫自己的意志和情感尊严,从而失去战斗力的历史中提出“生命强大”与“国家强大”的关系问题;二是来自对中国文学经典如《山海经》《国风》《乐府民歌》等崇尚生命力的优秀文化进行总结,提出尊重生命力关联创造力的现代性问题;三是针对先秦诸子受制于《易经》凶吉思维使生命感受大同形成哲学利益问题小异之局限,从捍卫生命复杂性的生命力入手提出区别先秦哲学的超功利问题;四是对当代青年柔化、宅化和网络愤化现象进行生命力强弱的审视性分析,从而指出生命力外柔内强是中国现代个体建设的基础。

Vitality defends life feeling,will and emotional differences,and guarantees cultural creativity.Chinese aesthetics of vitality aims to transform traditional Chinese and western life aesthetics for the purpose of life from the history and reality that vitality has been despised and rejected by Confucianism and Taoism.First,historically,the relationship between the strength of individual life and that of the state was put forward in the history of Han Chinese,who were invaded outside and enslaved inside.Individuals could not defend their will and emotional dignity,and lost their fighting strength.The second part is a summary of the excellent culture of respecting vitality in Chinese literary classics formed by the worship of the divine power of life in ancient China,such as The Classic of Mountains and Rivers,National Style in The Book of Songs and Yuefu Ballads,putting forward the modernity issue of respecting vitality related to creativity.The third is to examine the pre-Qin philosophy under the influence of The Book of Changes,which led to small differences in philosophical problems caused by the life feeling of great unity and raised philosophical problems on utilitarianism,concluding with the necessity to establish belief in the complexity of life beyond utilitarianism.The fourth part is based on the fragile,nerdy and indignant phenomena of contemporary youth to analyze the strength and weakness of vitality,arguing that the strength of individual vitality is the foundation for individual construction in modern China.