直接知觉论冲击下的图像再现研究

A Study of Pictorial Representation under the Impact of Direct Perception Theory

从近现代知觉心理学、哲学、艺术理论研究的走势来看,不同时期特定的视知觉解释范式往往与既定的图像研究及视觉研究阐释模式有着深刻的呼应关系,而以吉布森为代表的直接知觉论便是当代很值得重视的一种。论文论述吉布森三个核心观点,并主张以此途径重新发现并思考图像观看经验中的三个问题。其一是当代图像再现研究中核心的二维图画、三维世界的视觉经验差异及相互关系;其二是新视觉图式,尤其是最初的视觉图式如何获得;其三则是通过观看图像实现视觉沟通共享何以可能?这些问题的发现或重新思考不仅推动了当代图像再现研究,同时也呼应了一种视觉生态主义与现象学的视觉研究路径。

Viewed with a reference to the trend of modern perceptual psychology,philosophy and art theory,a specific interpretation paradigm of visual perception often echoes the established interpretation model of visual studies of its time.The direct perception theory represented by James J.Gibson is a noteworthy contemporary theory.This article discusses Gibson’s three core viewpoints,and advocates to rediscover and think about three issues in picture perception.First,what is the difference in the visual experience of two-dimensional picture versus that of three-dimensional space?What are their relationships?Second,how could we obtain a new visual schema,especially an initial visual schema?Third,how could we carry out visual communication through observing a picture?Discovering and rethinking these questions not only promote the research of contemporary pictorial representation studies,but also echo the phenomenological approach of visual studies.