新时期中国自白诗批评的误区与辨正

The Fallacy and Verification of Criticism on Contemporary Chinese Confessional Poetry

自20世纪80年代的崛起至90年代的转型,新时期中国自白诗只存在了较短的一段时间,但这一特殊文学现象在学界引发的关注却经久不衰。自诞生之日起,“自白诗”批评即与女性诗歌捆绑在一起并遭遇了诸如缺少中国文化指征、没有技巧或美学呈现等批评和诟病。但实际上,新时期的中国自白诗写作并非女诗人的专利,一部分男诗人也参与其中并创作了许多自白诗的佳作。而且,作为富含民族性的文体形式,新时期中国自白诗歌中包蕴着丰富的中国传统文化精髓。另外,新时期中国自白诗的上乘之作不但充满“灵气”,在诗艺方面的呈现也颇为精彩。

Contemporary Chinese confessional poetry has engaged much academic attention despite its short existence between the 1980 s and the 1990 s.The confessional poetry has been related with female poetry by scholars since the beginning,and they have been criticized for lacking Chinese cultural characteristics,skills or aesthetic values etc..However,contemporary Chinese confessional poetry is not exclusively the product of female poets,as there are quite a few male poets who created some fine confessional poems.Chinese confessional poetry of new period turned out to be embodied with a literary form of strong nationalistic features and contain rich elements of traditional Chinese culture.The best pieces in contemporary Chinese confessional poetry are not only full of“spiritual energy”,but also embellished with brilliant artistic skills.