西尔维亚·普拉斯前期诗歌中的“艺格敷词”

The“Ekphrasis”in Sylvia Plath’s Early Poetry

相对于普拉斯诗集《爱丽尔》的研究,学界对其1960年之前的诗歌关注较少。事实上,虽然是普拉斯成长期的诗歌,但前期诗歌的跨界艺术性却不容忽视。尤其是作为画家诗人的普拉斯以"艺格敷词"为媒介实施的语图互仿、对视觉艺术的诗歌再生产及把作为空间艺术的绘画技巧融会到作为时间艺术的诗歌中的操演手段等,在前期诗歌中均有突出表现。在当下文学与图像的关系成为一门显学,文学描写的色彩化及视觉体验被充分强调的学术背景下,这些特征成为其前期诗歌艺术价值的明证。

As compared to the study of Plath’s collection of poems,Ariel,her poems written before 1960 haven’t received much attention from the academic circles.In fact,the crossborder artistry of her early poems should not be neglected even though they were written during her formative years.This is especially so when all the measures taken by Plath,a renowned painter poet,who used the"ekphrasis"as a medium in creating the simulation between language and image,reproducing poetry out of visual art,and integrating the technique of painting,a spatial art,into poetry,a temporal art,are splendidly displayed in her early poetry.Given the current scholarly interests to pursue the relationship between literature and images as a popular subject and underscore the colorization of literary description and visual experience,these characteristics may clearly prove the artistic value of her early poetry.