主体性、创新性、公共性——上海戏剧节十年(2012—2022)

Subjectivity,Innovativeness and Publicity——Ten Years'Development of Shanghai Theatre Festival(2012-2022)

2012年以来,上海戏剧节通过主体性的增强、创新性的开掘及公共性的营造,培育、打造了新时代十年戏剧艺术节庆的“上海样本”:综合性的上海国际艺术节通过完善原创生产机制、艺术普及教育提升“文化源头”能级建设;作为专业戏剧节的静安现代戏剧谷和上海当代戏剧节深耕展演内容,以内容和风格的国际性、开放性、前沿性特色,拓宽城市公共空间和市场空间;上海小剧场戏曲节聚焦以年轻观众为核心的新观众群体,在“小”的属性中强调实验创新属性,凸显文艺“双创”精神;思南城市空间艺术节和“表演艺术新天地”以“人民”的艺术节的公共属性,以艺术介入驱动区域经济发展,创新升级城市公共空间功能。

Since the year 2012,through the enhancement of subjectivity,the exploration of innovativeness and the construction of publicity,Shanghai theatre festivals cultivate and create the“Shanghai sample”of theatre festivals in China:as a comprehensive art festival,Shanghai International Art Festival promotes the construction of“cultural production source”by improving the original production mechanism and art popularization education;as professional drama festival,Jing an Modern Drama Valley and Shanghai Contemporary Drama Festival deeply explore the international,open and cutting edge characteristics of the contents,expanding the urban public and market space;The Shanghai Small Theater Xiqu Festival focuses on the new audience group with young audiences as the core,emphasizing the experimental innovation attributes in the“small”attributes,highlighting the spirit of innovativeness;The StArt Festival and Xintiandi Festival,with the public nature of the people's art festival,promote the regional economic development by artistic intervention and upgrade the functions of the urban public space.