中国当代“舞剧自我批评”举隅——中国当代舞剧批评研究随笔之四

Examples of Contemporary Chinese Dance-drama Self-criticism——One of the Essays on the Criticism of Contemporary Chinese Dance-drama

作为“中国当代舞剧批评研究随笔”系列,“舞剧自我批评”是继“舞剧现象批评”“舞剧文化批评”和“舞剧本体批评”之后的第四篇。所谓“舞剧自我批评”,指的是舞剧创作者(编导)的“创作谈”,是创作者对舞剧创作历程的自我审视与反思。这种审视与反思就其本质而言,体现的是舞剧创作者的创编理念和美学原则。文章对于这类批评的“举隅”,有刘少雄《丝路花雨》的“创作谈”、唐满城《文成公主》的“创作谈”、舒巧《奔月》的“创作谈”、孙颖《铜雀伎》的“创作谈”、王世琦《森吉德玛》的“创作谈”以及张守和《无字碑》的“创作谈”。这一类型的批评对当代舞剧史和舞剧创作理论的研究,都有十分重要的价值。

As a series of essays on the criticism of contemporary Chinese dance-drama,dance-drama culture criticism is the fourth essay after the“dance-drama phenomenon criticism”,“dance-drama cultural criticism”,and“dance-drama ontological criticism”.The so-called“dance-drama self-criticism”refers to the“creation discussion”of the creators(choreographers),a self-examination and self-reflection of the creation course.Probing into the nature of this kind of self-examination and self-reflection,it is the embodiment of the creators’choreography philosophy and artistic principles.This paper cited six pieces of literature,including“creation discussion”of Liu Shaoxiong’s Flower Rains along Silk Road,“creation discussion”of Tang Mancheng’s Princess Wencheng,“creation discussion”of Shu Qiao’s The Flight to the Moon,“creation discussion”of Sun Ying’s Dancing Girl of Tongque Platform,“creation discussion”of Wang Shiqi’s Senjidma and“creation discussion”of Zhang Shouhe’s Wordless Memorial Tablet.Dance-drama self-criticism is of great importance to contemporary dance history and theories.