舒巧“心理型人物观”下的舞剧“心理叙事”——以舞剧《玉卿嫂》为研究对象

The Psychological Narrative of Dance-Drama Based on Shu Qiao’s“Psychological View of Characters”—Taking the Madam Yu Ching as the Object of Study

文章通过对舒巧代表性舞剧作品《玉卿嫂》的研究,认为舒巧的舞剧创作由直面人性的出发,呈现出以主人公为绝对中心的人物系统设置、以心理为主导的叙事内驱力、以梦幻性情境建构与揭示性情节铺展配合心理写实的编舞技术,构成了她独特的舞剧样式,形成了以“心理型人物观”为核心的舞剧创作技术系统。这种创作方式不同于以故事的讲述作为主要驱动力,对外部世界进行镜像化展示的编创方法,而是通过强化揭示人物内在的心理状态,探索人物内心的情感世界,在“心理型人物观”的支撑下,不仅实现舞剧的心理叙事,彰显舒巧个人的艺术表达,也最终完成创作者的主体表述。

By studying and sorting out the creation elements of Shu Qiao’s dance-drama works,this paper finds that Shu Qiao’s dance-drama creation,by confronting the truth of human nature,establishes a character system with the main character as the absolute.This constitutes a unique dance-drama style and a dance-drama creation technique system with the“psychology-based outlooks on the characters”as the core,internally driven by irrational psychology and combined with choreography techniques characterized by psychological realism.Her unique style of dance-drama is based on the“psychological view of characters”as the core of her choreographic technique.This creation method is different from the choreographic method of mirroring the external world with storytelling as the main driving force,by intensively revealing the inner psychological state of the characters,and exploring their inner emotional world.Based on the“psychological view of characters”,it can realize the psychological narrative of the dance-drama,manifest Shu Qiao’s artistic expression,and finally complete the author’s representation of the dance-drama.