论汉画乐舞图像的活态“复现”问题

An Issue on the Living Resurrection of Music and Dance Images in Han Dynasty Painting

汉画乐舞图像的发现证明,汉代乐舞是中国艺术史上的一个高峰,其上承中国先秦时代礼乐文明的历史传统,下开2000余年中国传统社会乐舞的民族精神。在“中国古典舞”复兴的时代,如何把文化记忆中的静态乐舞,按照动态的形式“复现”并有所创新,这对于形成中国古典乐舞的民族性十分重要。文章从汉代乐舞在中国音乐舞蹈史上的地位、汉画乐舞所表现的民族精神为出发点,梳理汉代乐舞高峰的形成及特性,探讨汉画乐舞的深描与重建的路径,即从深描到活态的重建开始,在历史真实的解读、现实意义的阐发、未来活态“复现”方面做好工作,并建立中国的乐舞身体语言学,使之具有演出、传播、教育、教学的实用性。

The discovery of dance and music scenes in Han Dynasty painting proves that the development of this type of dance reached its peak in the Han Dynasty,end sentence at‘Dynasty’the Chinese art history.It inherited the historical tradition of the ritual and music civilization in China’s pre-Qin era,and developed the national spirit of music and dance in traditional Chinese society that thrived for more than 2000 years.In the era of reviving Chinese classical dance,it is very important to figure out how to shift and innovate the traditional static music and dance into the living and dynamic form so as to foster its national character.This paper,starting from the status of dance with musical accompaniment in the Han Dynasty in the history of Chinese music and dance and being based on the national spirit refected in the dance,aims to establish a clear picture of how this kind of dance reached its peak and what its features were and tries to discuss how we can deeply describe and reconstruct the dances with authentic musical accompaniment.In other words we want to“form deep description to dynamic reconstruction”,to make a good interpretation of historical truths and practical significance and to“reproduce”the living version of the dance.What’s more,we aim to establish the body linguistics of dance with musical accompaniment in China,making it relevant in performance,dissemination,education,and teaching.