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写在BAM“新浪潮艺术节”35周年

The Next Wave Festival——35 Years
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摘要 2018年,布鲁克林音乐学院(Brooklyn Academy of Music,简称BAM)为庆祝“新浪潮艺术节”(Next Wave Festival,以下简称新浪潮)成立35周年,出版了《BAM:下一个新浪潮》(BAM:Next Wave Festival)一书。艺术节帮助布鲁克林重新焕发了活力,对纽约的艺术发展至关重要。它像一座灯塔,一如既往地保持着国际性和前沿性。温迪·佩蓉(Wendy Perron)曾作为舞者随崔莎·布朗(Trisha Brown)登上艺术节的舞台,后作为美国《舞蹈》(Dance Magazine)杂志的主编,亲身见证了艺术节和美国舞蹈艺术在过去35年的发展历程。新浪潮艺术节35周年之际,她受邀为该书的舞蹈部分撰文。文章不仅以艺术节为纵向坐标,记录了这个舞台上35年中重要的舞蹈创作者和作品,其梳理和讲述也为场域之外的同行们提供了跨文化舞蹈语境交流和理解的国际视角。 The Next Wave Festival had become so essential to New York art-going that it helped revitalize the Williamsburg section of Brooklyn.Like a beacon,it remains as international and cutting-edge as ever.In 2018,the Brooklyn Academy of Music(BAM)celebrated 35 years of the festival with a lavish book—BAM:Next Wave Festival,in which Wendy Perron was invited to write an essay for the dance section.Wendy Perron,who performed at BAM in 1976 with Trisha Brown and then became editor in chief of Dance Magazine,has witnessed how American dance arts have developed with the festival over the past 35 years.In her essay,she describes many important dance choreographers and dance works to have appeared at the festival over the past 35 years.More importantly,this essay also provides an international perspective of intercultural communication in the field of dance for other people of the same occupation.
作者 刘冰(译) Wendy Perron;Liu Bing
出处 《当代舞蹈艺术研究》 2022年第1期18-32,共15页 Contemporary Dance Research
关键词 布鲁克林音乐学院 新浪潮艺术节 舞蹈 发展历程 Brooklyn Academy of Music New Wave Art Festival dance the development course
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