从首届中国当代舞蹈双年展看舞蹈剧场的当代转型

A Discussion of the Transformation of Dance Theatre Based on the First China Contemporary Dance Biennale

2019年8月,第六届"培青计划"暨首届中国当代舞蹈双年展于上海国际舞蹈中心举办。在此次"双年展"中,笔者参与了工作坊、作品展以及主旨论坛,在倾听了诸多专家的观点后,借助"双年展"所提供的前沿的国际化视角以审视当代中国舞蹈的发展。本文主要分为三个部分,针对当代青年编舞者的心态转变、舞蹈剧场中的交互性关系以及观众解读舞蹈剧场的视角等方面进行了探讨,从而提出舞蹈剧场在中国的当代转型不仅体现在创作者、表演者、观者三种身份的多维互动上,更体现在观众回归评价作品的主体地位中。

In August 2019,the 6th National Young Dancers Development Plan&the f irst China Contemporary Dance Biennale was held at Shanghai International Dance Center.During this Biennale,the author of this paper participated in workshops,exhibitions,and forums,listening to"others".This paper believes that the international perspective provided by the Biennale is good for examining the development of contemporary dance in China.This paper has three parts.It discusses the conceptual change of young choreographers,the interactive relationship in the dance theatre,and the audience’s perspective on dance theater.The multi-dimensional choreographer-performers-viewer interactivity ref lects the transformation of dance theater in China.The audience’s return as jurors is an important indicator of this change.