摘要
本文通过独舞《马帮少年》的创作构思和实践过程中的艺术感悟,力图有针对性地论及当下的舞蹈艺术应当如何挖掘、表现丰富的民族文化资源,体现中国传统美学原则,探索新时代中国特色的舞蹈艺术创作之路。文章以《马帮少年》创作中的三种表现手法:从情出发、以小见大、形象导向为论述方向,表达了作者对舞蹈作品创作的理念与追求、审美与思考。
This paper reviews the creative conception and performance of the solo dance The Caravan Boy,and discusses how the current dance art should utilize and reconstruct Chinese national cultural resources,and how the principles of traditional Chinese aesthetics can be applied in the development of dance art with Chinese characteristics in the new era.This paper focuses on three artistic characteristics of The Caravan Boy:starting from emotion,seeing the big from the small,and following the development of characterization.The dance expresses the author’s aesthetics,pursuit,and ideas for the creation of dance works.
出处
《当代舞蹈艺术研究》
2020年第4期76-78,共3页
Contemporary Dance Research
关键词
舞蹈创作
马帮少年
动作设计
形象导向
dance creation
The Caravan Boy
action design
characterization