“海派”之于舞蹈,可行乎?

Is “Haipai Dance” Possible?

本文从"海派"一词出发,延展至"海派舞蹈"的文化现象,探讨以地域文化为基础发展起来的舞蹈流派在当今舞蹈市场的意义与价值。笔者从多个角度解析了"海派"文化和"海派舞蹈"的由来,以及业界和大众对此概念的广泛认知,并更深一步挖掘了"海派舞蹈"的产生对中国舞蹈文化的影响和意义。在"海派舞蹈"的方略中笔者将"海派舞蹈"和广东的"岭南舞蹈"进行了横向比较,并针对"海派秧歌""海派芭蕾""海派舞蹈教学"三个被明确冠以"海派"的舞蹈实体逐一进行探讨和分析。最后,笔者希望通过对该文化现象的研究,给中国舞坛的个性化发展带来些许思考与启迪。

This paper begins by presenting the term "Shanghai Style" (Haipai) and then discusses the cultural phenomenon of "Haipai dance".It explores the value of creating a dance genre based on a local culture in the contemporary dance market.This paper examines the origin of local Shanghai ("Haipai") culture and "Haipai dance" from multiple perspectives,surveys the professional and public awareness and acceptance of these concepts,and then explores the impact of the formation of "Haipai dance" on dance in China.This paper also makes a horizontal comparison between "Haipai dance" in Shanghai and "Lingnan dance" in Guangdong,and analyzes three "Haipai" concepts:"Haipai yangko","Haipai ballet" and "Haipai dance teaching" one by one.This paper hopes that a study of this cultural phenomenon will offer some insights into the development and diversif ication of dance in China.