布朗肖的“纯叙事”写作——以《亚米拿达》为例

On Blanchot’s “Pure Narrative”Writing: Taking “Aminadab”as an Example

布朗肖以《亚米拿达》为代表的"纯叙事"只与追寻小说作品源头的无限进程récit相关,是布朗肖思考小说作品源头的独特方式。这类叙事既是让故事空间瓦解的"不可能"的叙事,亦是返回récit并以其为讲诉对象的"叙事的叙事"。在这样的"纯叙事"写作中,叙事会遭遇让叙事不再可能的空间,并让小说作品的源头亦即文学作为"不在场"显现。这样的显现将不仅意味着对小说作品源头"不可能"本质的揭示,而且还意味着在小说作品源头处敞开一个让作品不再可能的"无作"空间。最后,正是对"无作"空间的承载让小说作品获得其艺术性。

Blanchot’s"pure narrative"represented by"Aminada"is only related to récit,which means the infinite process of pursuing the source of novels.It is Blanchot’s unique way of thinking about the origin of the novel.This kind of narrative is not only an impossible narrative that destroys the space of history,but also a"récit du récit"that takes récit itself as the object of the narration.In such"pure narrative"writing,narrative encounters a space that makes narrative impossible and allows the source of the novel(literature)to appear as"absence".