摘要
关于《女系家族》的先行研究一定程度上涉及了女性议题,但文本分析多集中在人物形象的梳理与家族制特征的考察上,对于“女系家族”的成因与男女力学关系的动态演变缺乏结构性分析。本文考察了山崎丰子长篇小说《女系家族》中权力话语的凝视策略,发现男权话语通过梅村芳三郎、畑中良吉、大野宇市与矢岛三姐妹形成了共谋关系,压制了女性的主体性意识,使其落入男权思维的窠臼,最终沦为“被驯服的身体”;山崎通过对男性凝视装置的内化与戏仿,使得“女系家族”制度的脆弱与虚伪得以呈现,揭示出植根该家族体系中的是父权制的这一本质。山崎的叙事策略,实现了对男权话语的反讽,是一种“症候性”的书写与颠覆性的尝试。
The previous research on“Nyokei Kazoku”to some extent touched upon female issues,but the textual analysis primarily focused on character delineation and examination of the features of the family system,lacking a structural analysis of the underlying causes of the“Matriarchal family”and the power dynamics between men and women.This paper examines the gaze strategy employed in power discourse in Toyoko Yamazaki’s novel Nyokei Kazoku.By analyzing the complicit relationships formed by Yoshisaburo Umemura,Ryokichi Hatanaka,Uichi Ono,and the three Yajima sisters,it reveals that even women who appear to hold a dominant position in gender relations are still confi ned within the framework of patriarchal thinking and ultimately become“tamed bodies”.Yamazaki’s internalization and parody of the male gaze device constitute a“symptomatic”writing,which exposes the fragility and hypocrisy of the“Matriarchal family”system and reveals the fact that the root of this system is still patriarchy.
