从“赵氏孤儿”谈历史规约性在戏剧中的折射

On the Reflection of Historical Conventionality in Drama from Zhao’s Orphan

有关"赵氏孤儿"的记录最初出现于《左传》和《史记》之中,然而,两者对"赵氏孤儿"及其相关历史事件的记载却截然不同。正是因为不同历史文本之间的裂隙,才让今人能够以不同的角度来解读"赵氏孤儿"。林兆华、田沁鑫、王晓鹰三个版本的《赵氏孤儿》,分别以不同的方式对"赵氏孤儿"作出了解读。本文试图借助"赵氏孤儿"这一形象在不同文艺作品当中的呈现,来探讨历史规约性在当代戏剧创作中的意义和一种新的看待历史规约性的视角,即新历史主义的视角。

The record of"Zhao’s Orphan"first appeared in Zuo-Zhuan and Records of the Historian,but the two records of"Zhao’s Orphan"and related historical events are completely different.It is precisely because of the rifts between different historical texts that people today can interpret"Zhao’s Orphan"from different angles.Lin Zhaohua,Tian Qinxin,and Wang Xiaoying interpreted"Zhao’s Orphan"in different ways.This article intends to use the image of Zhao’s Orphan in different literary works to explore the significance of historical conventions in contemporary drama creation,as well as a new perspective on historical conventions,that is,the new historicism perspective.