西夏壁画中的藏密因子——以瓜州东千佛洞第2窟壁画为例

Tibetan Buddhism Factor in the Western Xixia Dynasty Murals——A Case Study of the Cave Murals in the Second Cave in Guazhou East Thousand-Buddha Cave

西夏石窟壁画最为突出的特点是汉藏结合,尤其在西夏中晚期,藏传佛教绘画在石窟壁画中占据很重要的位置与比重,具有不同于汉传佛教的艺术表现形式。甘肃瓜州东千佛洞石窟群这一特征表现就最为集中,其中第2窟藏传佛教风格壁画保存完整,在同时期石窟艺术中极具特色。本文拟以东千佛洞第2窟藏传佛教壁画为例,探讨藏密因子在西夏佛教壁画中的体现与影响。

The most prominent feature of the murals in the grottoes of the Western Xixia dynasty is the combination of the Han Dynasty and Tibet,especially in the middle and late periods of the Western Xixia Dynasty,the Tibetan buddhist painting occupies a very important position and proportion in the grottoes murals,and has an artistic expression form different from the Chinese Buddhism.This feature is most concentrated in the grottoes group of Thousand-Buddha Cave in the east of Guazhou City,Gansu Province.This paper intends to take the second cave of Thousand-Buddha Cave in east China as an example to explore the embodiment and influence of Tibetan secret factors in the Buddhist murals of the Western Xixia Dynasty.