巫术·手艺·身体——论《庄子》的工艺美学观

Witchcraft o Craftsmanship o Soma——On the Craft Aesthetics of Zhuangzi

《庄子》一书蕴含丰富的工艺造物思想和设计意识,包含诸多美学意蕴。文章从造物设计的角度阐述庄子的工艺美学思想。首先,克服精神与肉体的二元倾向,回归主体审美活动的源初性根基;其次,分析手作"游"的向度即是物化之"艺"。最后,解译身体优先实为"诗性直觉"的整体介质,追溯庄子工艺美学命题的初始。

The book Zhuangzi contains a wealth of craftsmanship and design consciousness,covering a lot of relevant aesthetic implications;this article intends to elaborate Zhuangzi’s craftsmanship and aesthetics from the perspective of creation design:firstly,the dual tendency of spirit and body should be eliminated,the original foundation of the subject’s aesthetic activity should be returned;secondly,direction of the skillful hand-made"craftsmanship",that is,materialized"art",should be analyzed;finally,body’s priority as the overall medium of"poetic intuition"should be expounded and the origin of Zhuangzi’s aesthetics should be explored.