海德格尔与新时期美学的建构

Heidegger and the Construction of Aesthetics in the New Period

改革开放四十余年以来,海德格尔思想在中国美学界受到欢迎的原因有三:一是它与中国古典美学契合,这种契合为中国古典美学提供了话语更新和参与现代学术对话的可能性;二是它与马克思主义的理论相通,两种理论都主张超越主客二元对立的实践观,这促使中国学者借用海德格尔的理论辅助马克思主义来建构新的美学形态,实践存在论美学和生态存在论美学就是其中的典型代表;三是海德格尔思想在西方传统中具有承上启下的地位,因此与众多的理论和概念产生关联,具有广阔的阐释空间和持久的生命力。基于这三个原因,海德格尔思想深度参与了中国新时期美学的建构,产生了丰富的成果,并且直至今天依然没有过时。

Over the past more than 40 years of reform and opening up,Heidegger's thought has been popular in Chinese aesthetics for three reasons.Firstly,because of its compatibility with Chinese classical aesthetics,which provides Chinese classical aesthetics with the opportunity to update its discourse and participate in modern academic dialogue.Secondly,because it is connected with the theory of Marxism.Both theories advocate a view of practice that transcends the binary opposition of subject and object.This prompted Chinese scholars to borrow Heidegger's theory to assist Marxism in constructing new aesthetic forms.The Practical Ontological Aesthetics and Ecological Ontological Aesthetics constructed since the 1990s are typical representatives.Thirdly,Heidegger's thought has the status of connecting the past and the following in the Western tradition,so it is related to many theories and concepts,and has rich Interpretative space and lasting vitality.Based on these three reasons,Heidegger's thought has deeply participated in the construction of Chinese aesthetics in the new period and produced rich results,and is still valuable for Chinese aesthetics.