历史留影·文学镜像·空间符码:北京城市影像传统与本体审美内涵

Historical Photography,Literary Mirror and Space Symbols:Image Tradition and Noumenon Aesthetic Connotation of Beijing

从发展形态上看,北京城市影像表达是具有历时性、多样性、媒介性特点的复合型艺术实践。按照艺术发生学的学理逻辑,北京城市影像表达可以追溯到西方照相术的传入,早期经历了皇家独享和民间应用的纪实摄影阶段,后来经过文学和影像的时代合谋,逐步实现了北京城市影像美学系统的初步完备,以及“京味儿”审美趣味的美学成熟和大众接受。自20世纪90年代开始,以北京城市为内涵依托的文学及影像文本凸显出与中国社会变迁、文化迭代、民众生活等全方位转型相对应的实践转向和美学表征。21世纪以来,在全球政治动荡、文化融通、媒介巨变的总体趋势的影响下,北京城市影像的后现代隐喻意味进而凸显,因此对其演进历程的重新审视成为研究该课题不可缺少的必要途径。

In terms of development,Beijing's urban image expression is a composite artistic practice with ephemerality,diversity and media.According to the theoretical logic of art genesis,it can be traced back to the introduction of Western photography,the early stage of documentary photography,which was exclusively enjoyed by the royal family and applied by the folk,and later,through the conspiracy of literature and images,the initial completion of the aesthetic system of Beijing urban images,as well as the aesthetic maturity and popular acceptance of the“Beijing flavor”aesthetic interest.The Aesthetics of Beijing Since the 1990s,the literary and video texts based on the connotation of Beijing city have highlighted a practical turn and aesthetic representation corresponding to the comprehensive transformation of China's social changes,cultural iterations,and people's lives.In the new century,under the influence of the general trend of global political turmoil,cultural integration,and media changes,the postmodern metaphor of Beijing urban images has come to the fore,making a re-examination of its evolution an indispensable way to study this topic.