古代审美实践对当代生态美学的启示——以造物为中心

Enlightenments of Ancient Aesthetic Practice to Contemporary Ecological Aesthetics——A Study Centered on Creation

生态美学、环境美学的建设已成为当今世界的学术热点。我国生态美学研究多采用哲学分析的方法,国外多采用科学实证的方法。在当代中国生态美学的新建构中,从古代审美实践的领域中获取生态实践智慧,吸取成功的造物经验与思想,将能取长补短,弥补中国生态美学研究的缺失,从造物历史文化的实证与总结出发,建构具有中国特色的生态美学。中国造物与相关美学思想中关于“物”的超然性与造物的关联性、“物”与“道”、“虚”与“实”的结合,韵外之致、境外之境的营造,具有内在本源性、共通性、共驱性,体现着造物达到的广度、深度与高度。中国生态美学的进一步深化,形成独特的规律、风格,需从传统文化中汲取智慧。在此基础上汇通古今,才能建设具有中国特色的生态美学形态,建构生态实践美学,参与并引领实践。

Research of ecological aesthetics and environmental aesthetics has become an academic hotspot work wide today.Chinese aestheticians conduct ecological research in a philosophical framework,while most foreign scholars use empirical methods.In recent construction of contemporary Chinese ecological aesthetics,Chinese ecological aesthetics can be improved with Chinese characteristics by learning from aesthetic practice and successful creation experience and ideas in ancient China.The creation practice in China and relevant aesthetic thoughts have something in common in terms of their ideas on transcendentality of“things”and its relevance of creation,the combination of“things”and“Tao”,“the virtual”and“the real”.The further development and the formation of specific characteristics of Chinese ecological aesthetics rely on traditional culture.On such a basis,Chinese ecological aesthetics and ecological practice aesthetics can be achieved and used to guide practice.