音乐化与诗歌自觉——关于永明声律审美原理的考察

内在音乐化是魏晋南北朝诗歌自觉的重要组成部分。声律是对字的声音形式的专门开发,是内在音乐化的具体承载。永明声律包含四声与八病,分别从正反两方面规定了字音的使用规则,建立起诗性的声音形式体系。声律重组了诗歌的声音结构、意义结构和时空结构,建立起音义对比的复调结构,形成了诗性的音乐化结构。声律实现了自然声音向人工音律的转变,生成了形式美感和延宕感。它改变了声音的自然线性关联,增强了语言的弹性。声律与情感具有同构性,强化了诗歌的表现功能。

The internal music is an important part of poetry consciousness in Weijin Southern and Northern dynasties.The rhythm is the specialized development of the word’sound,which is the concrete bearing of the internal music.Yongming’s rhythm contains Sisheng and Babing,that stipulate service regulations of pronunciation from the pros and cons aspects,and establish a poetic system of phonetic form.The rhythm reorganizes poetry’s sound structure,meaning structure and space-time structure,and establishes a polyphonic structure that sound and meaning contrast,forming a poetic music structure.The rhythm promotes the transformation form the natural sound to the artificial temperament,and generates the form beauty and sense of delay.It changes the natural linear correlation of sound,and enhances the elasticity of language.The sound and the emotion are isomorphic,and this strengthen the poetry performance.