中国当代美学八大范畴的全面异化

The Comprehensive Alienation of the Eight Main Theoretical Categories of Chinese Contemporary Aesthetics

在美学思维中,现代美的生成过程是以相互衔接的四种关系展示出来的,这就是本体论人学重构的人己关系,认识论主体建构的物我关系,美感情智合成的交错关系以及艺术发展流变的对峙关系。在理论形态上,这种关系分别由"人二本"之"史本"与"生本"、"我两识"之"事识"与"物识"、"美交错"之"直觉"与"观照"以及"艺双扩"之"再现"与"表现"等八大范畴构建而成。由于对"审美"问题的严重错解,这个范畴体系在中国当代美学中遭到全面的异化:本体论的"史本"与"生本"分别被异化为见物不见人的"律本"与"欲本";认识论的"事识"与"物识"分别被异化为或观念或物欲的"定识"与"艳识";审美论的"直觉"与"观照"分别被异化为审美残缺的"情智两无"与"有情无智";艺术论的"再现"与"表现"则分别被异化为古典主义的"模仿"与"空灵"。八大美学范畴的全面异化,极大地阻遏了中国美学从古代转向现代的历史过程。

In the aesthetic thinking,the generation process of modern beauty is shown by four interrelated relationships which are the human-society relationship that reconstituted by ontological human studies,the things-persons relationship constructed by the subject of epistemology,the interlaced relationships between beauty,feeling,emotion and intelligence,as well as the confrontation relationships of art evolution.In theoretical form,these relationships are built from the following eight main theoretical categories:the historical ontology and existence ontology as the two aspects of human ontology,the cognition of social phenomenon and the cognition of abstract nature forms as the two parties of the two sides of subjective cognition,the intuition and contemplating of the staggered aesthetic consciousness,as well as the reproduction and expression of the confrontational development of literary and artistic trend.Due to the serious misunderstanding of the aesthetic problem,this category system has been completely alienated in Chinese contemporary aesthetics:the historical ontology and existence ontology have been respectively dissociated into the ontology of abstract law and the ontology of material desire that sees things but not others;The two sides of subjective cognition are respectively dissociated into"conceptual cognition"which ignores social phenomenon but sets out from established concepts and the"cognition of formal beauty"that pursues dazzling formal beauty but abandons transcendental thoughts;The"intuition"and"contemplating"of art theory respectively alienated into two phenomenons of aesthetic incompleteness as both emotion and intelligence are absent,or one of the both being absent;Meanwhile the reproduction and expression of artistic theory are respectively alienated into"imitation"and"Unpredictability"of classicism.The comprehensive alienation of the eight aesthetic categories has greatly deterred the historical process of Chinese aesthetics from ancient to modern times.