“阴阳”交感生化与“天人感应”说

The Theory of “Yin and Yang” Interaction Biochemistry and “Nature and Humanity Induction”

在中国古代生态美学中,处处体现着一种"天人感应"审美意识。并且,这种审美意识的生成与确立与"阴阳"交感生化说密切相关。在中国古代生态美学看来,宇宙间万事万物由"阴阳二气"既对立一体,又交感构成。"阴阳二气"是构成宇宙的生命原初域,其交感生化是永无止息、流衍不住、大化流行的,故由"阴阳二气"交感构成的万物及大千世界也是永恒流衍的。由此,中国古代生态美学还提出"阴阳""太极""天地""动静""化生""生生"等一系列范畴,以构成"阴阳"交感生化说。可以说,作为生态环境美学的基本范畴,"阴阳""太极"既是其构建"天"与"人"之间关系的重要基元,又是其核心构成,并影响及其民族特色与本土特色。

In ancient Chinese ecological aesthetics,everywhere embodies a kind of"heaven and human induction"aesthetic consciousness.Moreover,the formation and establishment of aesthetic consciousness are closely related to the theory of"Yin and Yang".In the view of ancient Chinese ecological aesthetics,everything in the universe is composed of Yin and Yang,which are both opposites and sympathetic."Yin and Yang two qi"is the primary domain of life that constitutes the universe,and its sympathetic biochemistry never ceases,flows and spreads,and becomes popular.Therefore,all things and the world composed of"Yin and Yang two qi"also flow and spreads forever.Therefore,the ancient Chinese ecological aesthetics also put forward a series of categories such as"Yin and Yang","tai chi","heaven and earth","movement and movement","chemical growth"and"sheng sheng"to constitute the"Yin and Yang"sympathetic biochemical theory.It can be said that as the basic category of ecological environment aesthetics,"Yin and Yang"and"taiji"are not only the important elements for constructing the relationship between"heaven"and"human",but also the core components,which affect their national and local characteristics.