“天人”感应互动之审美心理态势

“Heaven and Humanity” Induction and Interaction of the Aesthetic Psychological Situation

中国古代生态环境美学主张,审美活动中应该追求"天人"相与合一、交相构成,在这种构成活动中,作为审美者须心如明镜,以虚灵静现万物,方能于目前、当下冥契世间万有,洞彻宇宙根源。此即所谓"以天合天""物其所物""乘物游心""触景感物""应物斯感",要求审美者应该构筑一种超脱世俗、功利,身与物化而心与道通的审美心理态势。以"感物心动""情以物兴,物以情观",于当下的观物活动中,感物起兴,使"天人合一",从而于我与物、审美者与客体的相通相应中领悟到天地之精神、造化之玄妙。

the ancient Chinese ecological environment aesthetics advocated that aesthetic activities should pursue the unity of"heaven and man"and the formation of interaction.In this kind of activities,the aesthete should have a mind like a mirror and show all things by the spirit of the spirit,so as to be able to understand the origin of the universe.This is the so-called"harmony between heaven and heaven","things of what they are","travelling by things","touching things"and"responding to things",which requires the aesthetician to build an aesthetic psychological situation that is beyond the mundane,utilitarian,physical and materialized,and mind and tao.With"feeling things","feeling to things,things to feelings",in the current activities of seeing things,feeling things rise,make"humanityand nature",so as to understand the spirit of heaven and earth,the aesthetic and the object of the corresponding understanding of the mysterious nature.