摘要
蒋孔阳着眼于人与现实关系的多维性、复杂性、复合性来揭示人的丰富性,探讨审美现象的多样性,其美学思想海纳百川、融汇中西古今。一方面,蒋孔阳熟稔西方古典和现代美学思想;另一方面,他深入钻研和总结中国古代美学思想和文学艺术实践,从中获得理论新知,进而突破西方美学思想框架,为美学研究注入中华民族智慧和新生机。
Jiang Kongyang focuses on the multidimensionality,complexity,and comprehensiveness of the relationship between human beings and reality in order to reveal the richness of human beings and explore the diversity of aesthetic phenomena,and his aesthetic thought is inclusive of all rivers and streams of water,and blends the East and the West with the modern and the Chinese.On the one hand,Jiang Kongyang is familiar with Western classical and modern aesthetic thought;on the other hand,he has studied and summarized ancient Chinese aesthetic thought and literary and artistic practice,from which he has gained new theoretical knowledge,and then broken through the framework of Western aesthetic thought,injecting Chinese wisdom and new vitality into the study of aesthetics.
作者
马大康
Ma Dakang(College of Humanities,Wenzhou University)
出处
《美学与艺术评论》
2024年第1期12-20,240,共10页
Journal of Aesthetics and Art Review
关键词
蒋孔阳
美学思想
审美关系
主体性
去主体化
Jiang Kongyang
aesthetic thinking
esthetic relation
subjectivity
de-subjectivization