摘要
通过深入发掘和整合中国传统思想文化、马克思的实践哲学、康德的批判哲学等思想资源并对它们进行"转换性创造",李泽厚建立起"人类学本体论哲学"体系,以及以此为基础的主体性实践美学思想,尽管存在着一些问题,但确实为"中国实践美学"的发展壮大和"现代中国美学"的真正建立做出了突出贡献。学界对李泽厚的主体性实践美学思想一直存在着种种误解,因此有必要通过"实践""主体性""积淀""新感性"和"情本体"等五个最核心的关键词,来厘清和阐释其主体性实践美学思想的要义,以期正确理解和借鉴,服务于当下中国美学话语体系建设。
Through in-depth exploration and integration of Chinese traditional ideology and culture,Marx's practical philosophy,Kant's critical philosophy and other ideological resources and their“transformative creation”,Li Zehou established the“anthropological ontology philosophy”system,and“subjective practice aesthetics”that based on this system.Although there are some problems in the aesthetics of subjective practice,it has indeed made outstanding contribution to the development of“practice aesthetics”and the true established of“modern Chinese aesthetics”.The academic circles often have misunderstandings and criticisms on Li Zehou's subjective practical aesthetics.It is necessary to use the five core keywords of“practice”“subjectivity”“accumulation”“new sensibility”and“Ontology of Emotion”.In-depth interpretation and restoration of the essence of its subjective practice aesthetics,with a view to correct understanding and reference,serving the current construction of Chinese aesthetic discourse system.
作者
江飞
Jiang Fei(Center for Aesthetic and Literary Criticism and Research,Anqing Normal University)
出处
《美学与艺术评论》
2021年第2期90-104,253-254,共17页
Journal of Aesthetics and Art Review
基金
国家社科基金一般项目“新时期中国美学的存在论转向与理论形态建构研究”(18BZX142)的阶段性成果
关键词
李泽厚
主体性实践美学
实践
主体性
积淀
新感性
情本体
Li Zehou
subjective practice aesthetics
practice
subjectivity
accumulation
new sensibility
ontology of emotion