摘要
中国现代对于古代艺术风格的研究,受到了西方风格理论和研究方法的影响。在汉语语境里,"风"是指外在的感性风采,"格"是指内在的品质,源于古代的人物品藻,其中体现了一种生命意识。画论、书论、乐论中的风格阐述更多地受到了诗文理论的影响。作品的风格源自艺术家的先天素质和后天习得,离不开艺术家的个性与审美情趣,并被视为与艺术家的人品相关。风格的形成受到时代和流派的影响,也受到了表现技巧、表达手法及体式的影响。作品的语言也影响着风格的传达。中国古代的风格具有层次之分,它被人们所普遍接受,既有继承性的一面,又有打破常规超越性的一面。
In modern China,the study on artistic style in ancient China is influenced by the theories of western stylometry and methodology.In Chinese,Feng points to the perceptual style outside of art and Ge the intrinsic quality,which reflects a sense of life.The artistic style originates from the congenital quality and acquired acquisition of an artist,which cannot leave his individual character and aesthetic taste.The formation of artistic style is influenced not only by times and art school,but also by presentation skills,expression techniques and so forth.Besides,the content and language can still influence the artistic style.The artistic style in ancient China is not only inherited but also creative.
作者
朱志荣
Zhu Zhirong(Department of Chinese Language and Literature,East China Normal University)
出处
《美学与艺术评论》
2019年第1期194-204,241,共12页
Journal of Aesthetics and Art Review
关键词
人物品藻
先天素质
后天习得
表现技巧
超越性
character criticism
congenital quality
acquired acquisition
presentation skills
creativity