摘要
近年文学历经的"空间转向"见证了诸多新术语的出现,如第三空间、认知图绘、时空压缩、地理批评、全球化与在地化、文学地理学、文学地图学等。在此基础上建构一种广义上的"空间批评",当可首先考虑批评与理论在过去半个世纪中达成的交叉平行关系,以及由此彰显的多元化跨学科必由之途。从段义孚的"恋地情结"到塔利的"场所意识",正可见出空间批评核心概念行进地图之一斑。哲学上空间可视为一切文学和审美活动展开的一个直观形式基础。阐释上空间批评具有无限延伸的跨学科可能性。
The"literary spatial turn"in the past decades witnesses an abundant new terminology:third apace,cognitive mapping,time-space compression,geocriticism,globalization and localization,literary geography,and literary cartography etc.To construct a spatial criticism then,may first of all exam the parallel as well as intersected relations between criticism and theory which indicates a necessity for trans-disciplinary pluralism.From Yi-Fu Tuan's topophilia to Robert Tally's topophrenia,the core ideas of spatial criticism,in a degree,display its own literary cartography.If for Kant,space is an aporiorist intuitive form providing foundation for all aesthetic activities,then in breaking academic boundaries,spatial criticism may well show a limitless possibility.
作者
战红
陆扬
Hong ZHAN;Yang LU(College of Fine Art,Yangtze Normal University;Department of Chinese Language and Literature,Fudan University)
出处
《马克思主义美学研究》
2021年第1期246-259,525-526,共16页
Research on Marxist Aesthetics
基金
国家社科基金“新马克思主义文论与空间理论重要文献翻译与研究”(15ZDB084)
教育部社科基金一般项目“21世纪中国原创服装设计师品牌以及民族元素在中国风潮牌中的运用研究”(19YJC760148)的阶段性成果
