摘要
日常生活批判在后现代主义情境中表现出对审美的巨大兴趣,日常角度与审美角度的联姻使得日常生活批判与审美人类学产生了内在的逻辑联动,一种独特的审美人类学呼之欲出,它超越哲学人类学普遍主义视角的束缚,有了具体的历史时空,也拓展了人类学美学的地方性视野,更加贴近绝大多数人。在加入商品美学、都市美学以及乌托邦维度后,日常生活批判成了审美人类学的一种独特理论范式。
The critique of daily life shows a great interest in aesthetics in the postmodernist context,through which Western Marxism seeks to peer into the secrets of control of developed capitalism.The marriage of the everyday and aesthetic perspectives has created a logical link between the critique of everyday life and aesthetic anthropology,anaesthetic anthropology that transcends the universalist perspective of philosophical anthropology,has a specific historical time and space,and has also expanded the local perspective of anthropological aesthetics,closer to the majority of people.With the addition of commodity aesthetics,urban aesthetics,and a utopian dimension,the critique of everyday life became a distinct theoretical paradigm of aesthetic anthropology.
作者
李巍
Wei LI(Huizhou University,China)
出处
《马克思主义美学研究》
2020年第1期403-421,751-752,共21页
Research on Marxist Aesthetics
基金
广东省教育厅(青年创新人才类项目:人文社科)“日常生活批判视域下的中国当下现实主义影视作品研究”(项目编号:2018WQNCX177)阶段性成果
关键词
日常生活批判
审美人类学
西方马克思主义
the critique of daily life
aesthetic anthropology
Western Marxism