审美思维——作为思辨的艺术

Aesthetic Thinking:Art as Theory

审美认识论是美学的一个传统问题,语言学转向之后的分析哲学、结构主义、符号学等哲学流派多用"二元论"的方式区分知觉与思维,造成了对艺术的偏见和教条。在重新考察艺术与知识、认知的关系的基础上,审美思维可以看作是一种通过推论、联结和蒙太奇的逻辑方式派生的星丛体系为运行机制的,发生于感觉或知觉领域、既是合取性的又是析取性的思维形式,其作为一种思维具有特殊性和合法性。

The following remarks aim at a revision of the classical topos of the epistemological power of aesthetics,with particular reference to the relationship between art and knowledge.I will examine and develop this concept with a view to the difference between scientific truth and the language of philosophy and a genuinely constellational mode of operation in the arts,which derives its compositional dimension from the logic of conjunction,linkage,and montage.The focus is the prominent connection between art and truth,and more on the question of what kind of thought artistic praxis generates and to what extent it can be conceived of as a particular;even singular form of thought which takes place in a sensual or perceptive sphere and is specifically defined by being at once conjunctive and disjunctive.May also be read as an objection to the prejudices of the linguistic turn and its implicit dogmas.