摘要
发生于1930年代的中国左翼文艺运动是继"五四新文化运动"之后由左翼知识分子组织发动的一场颇具规模的文学艺术运动。显然,左翼文艺运动并不限于文学领域,它是一个波及电影、戏剧、美术、音乐等不同艺术领域的整体性文艺运动,因此,对其他艺术领域所开展的左翼文艺运动进行研究,有助于我们更为全面、系统地了解左翼文艺运动的历史原貌。作为文艺运动的重要组成部分,左翼电影运动中的理论与批评是一个值得深入系统研究的领域。《20世纪30年代中国左翼影评的文化解读》一书,在历史视域与当代阐释的融合中对左翼电影批评进行了具有开拓意义的探索。
The left-wing literary and artistic movement in China,which took place in the 1930s,was a large-scale literary and artistic movement organized by left-wing intellectuals following the May Fourth New Culture Movement Rather limited to the literary field,it is a holistic literary movement that spread to different artistic fields such as film,theater,fine arts,music,etc.Studying the left-wing literary movement in various artistic fields can help us understand the historical background in a more comprehensive and systematic way.Theory and criticism in film studies,as an important part of the literary movement,deserves deep and systematic study.Cultural Interpretation of LeftWing Film Criticism in China in the 1930s is a pioneering exploration of left-wing film criticism,bringing together historical perspectives and contemporary interpretations.
作者
宋伟
Wei SONG(Northeastern University,China)
出处
《马克思主义美学研究》
2020年第1期693-698,764,共7页
Research on Marxist Aesthetics