回到社会现实本身——电影《南方车站的聚会》的历史本质性分析

Going Back to Social Reality Itself:An Analysis of the Essence of History in The Wild Goose Lake

影片《南方车站的聚会》讲述了南方某城市一个鱼龙混杂、管理失序的城中村,一个被诬陷与通缉的逃犯生命最后的几十个小时里发生的故事。该片着力于对视听语言高度风格化和形式化建构,其目的在于通过深入到人物、事件、场景等梦幻般的客观性内容之中,让观影者体会并分享他们的历史与再生,从而把握"历史的本质性的一度",并通过改变世界的表象方式来改变人们对世界的理解。文章从马克思主义唯物史观"回到社会现实本身"这一哲学美学视域和现代悲剧理论视角展开分析,以期对其进行"有原则高度"的阐释和评价。

The Wild Goose Lake portrays a grungy and disorderly urban village in one of the metropolises in Southern China,in which a fugitive gang leader hides,on the run from rival bike gangs and the police in his last few dozen hours of life.The film uses on the highly stylized and formalized construction of audio-visual language,as it aims to allow viewers to experience and share the history and regeneration by immersing themselves into the dreamlike objectivity of characters,events and scenes,so as to grasp"the essence of history"and change people’s understanding of the world by changing the way the world represented.Under the philosophical and aesthetic perspective of Marxist historical materialism"back to the social reality itself"and modern tragedy theory,this paper interprets and evaluates the film from a"principled height".