摘要
由于美学理论史范式自身的局限和美学史研究对审美政治维度的重视不够,《刘子》的礼乐美学思想在长时期内没有得到深入研究。事实上,《刘子》通过对传统礼乐思想的因袭和对北朝生存境遇特征的准确把握,形成了礼乐教化优先论、礼乐建设应时论和礼乐实践修身论为主要内容的礼乐美学思想。它尽管以复古承接为主、创新发展不足,却在理论维度总结和回应了北朝礼乐建设所面对的时代性问题。从审美观念史来看《刘子》的礼乐美学思想,首先它因袭了儒家礼乐美学思想,有助于中原文化在北朝延续和主体性地位的维系;其次呈现了中原审美观念与草原审美观念、外来审美观念的融合;再次则是展现了北朝历史在礼乐美学维度的本然面貌。基于此,从中可以窥见北朝时期民族、文化大融合对中华美学精神生成演进的贡献。
The aesthetic thinking on rites and music in the work of Liu Zi has not been deeply studied for a long time.The research model for aesthetic theory has had limitations which led to insufficient attention to the political dimension of aesthetic history.Liu Zi developed his theories of aesthetic rites and music from traditional ideas and accurately grasping the living conditions of the Northern Dynasty.His theory consisted of three main parts:the priority of rites and music education,the construction of rites and music in accordance with social conditions,and the practice of rites and music cultivation.Though lacking in innovation,Liu Zi’s theorized the experience of the Northern Dynasty and attempted to construct the system of rites and music.From the view of aesthetic history,Liu Zi’s aesthetic thought of rites and music has three main significances:firstly,it helped to maintain Confucian aesthetic thinking on rites and music,insuring the succession and the status of the main body of Chinese civilization’s rites and music in the Northern Dynasty.Secondly,it reflected the integration of aesthetic ideas of the Central Plain area,the grassland area and the foreign area.Thirdly,it presented a history of the Northern Dynasty in the area of aesthetics.On such a basis,the influences of the great integration of nationalities and cultures in the Northern Dynasty can be appreciated.
作者
席格
XI Ge(Henan Academy of Social Sciences)
出处
《马克思主义美学研究》
2019年第2期447-462,635-636,共18页
Research on Marxist Aesthetics
基金
国家社科基金重大项目“中国礼乐美学对传统制度文明的创构研究”(17ZDA015)阶段性成果
关键词
《刘子》
礼乐美学
北朝美学
Liu Zi
aesthetic thinking of rites and music
Northern Dynasties aesthetics