摘要
从绘画到设计,奥斯卡·施莱默擅长通过几何化的身体形象来进行创作。施莱默在包豪斯期间的艺术创作与设计实践表明,他对设计现代性中符号规训与身体反抗这一永恒的矛盾性张力有着深刻的前瞻性与洞察力。通过舞台剧几何化人物形象设计,施莱默不仅刷新了20世纪欧洲舞台剧的视觉面貌与话语方式,而且为我们探索现代设计的基本属性提供了一条全新的思考路径。
From painting to design,Schlemmer was adept at producing works through geometrical body images.His artistic creation and designs at the Bauhaus demonstrated his profound foresight and insight into the eternal contradictory tension between symbolic discipline and body resistance in the modern design.Through the geometrical design of characters in the stage plays,Schlemmer not only refreshed the visual profile and the mode of discourse of European stage plays in the 20th century,but also provided a new perspective for us to explore the basic attributes of modern design.
作者
彭肜
秦瑾
PENG Rong;QIN Jin(Arts College,Sichuan University,Chengdu 610064,China)
出处
《兰州大学学报(社会科学版)》
CSSCI
北大核心
2021年第2期154-160,共7页
Journal of Lanzhou University(Social Sciences)
基金
教育部人文社会科学项目(19YJA760046)
四川大学创新火花库项目(2018hhs-63)