摘要
短篇小说《SOS》选自木心短篇小说集《豹变》,小说主要描述了一场海难。在木心本人所提倡的文体创新的前提下,本文以跨艺术的视角,从曲式结构和节奏模式两方面对《SOS》文本中的音乐性特征展开分析,从而探寻木心是如何实现音乐和文字在文学作品中的相融相生。
The short story"SOS"is selected from the collection of Muxin’s short stories Baobian,which mainly describes a shipwreck.On the premise of the stylistic innovation advocated by Muxin himself,this paper aims to explore how Muxin realizes the integration of music and literature in literary works.Therefore,the author analyzes the musicality of this story from the interarts perspective,focusing on its musical form and rhythm.
出处
《比较文学与跨文化研究》
2020年第1期66-69,110,共5页
Comparative Literature and Transcultural Studies
关键词
文体创新
跨艺术
曲式结构
节奏模式
音乐性
stylistic innovation
interarts perspective
musicality
musical form
rhythm
