论《理查三世》的中国编演:以王晓鹰版本和林兆华版本为例

On the Chinese Editing and Performance of Richard III:Taking Wang Xiaoying’s Version and Lin Zhaohua’s Version as Examples

本文着眼于莎士比亚《理查三世》的中国编演,以2012年王晓鹰和2001年林兆华编导的两个版本为例,通过分析二者在编演中的人物塑造和舞台设计方式,探究中国导演在改编莎士比亚戏剧时对于中国元素不同方向的应用,并探讨其跨文化传播效果的优劣。本文认为,王晓鹰版本将中国戏曲的念白与意象表达等元素融入演出中,并在舞美设计上运用了方块字的元素,实现了中国元素的外化应用。林兆华版本则简化了舞美布景,在保留莎翁原剧剧情的基础上化用了苏州评弹的表演程式,实现了中国元素的内化应用。

This article focuses on the Chinese editing and performance of Shakespeare's RichardⅢ,taking the two versions written and directed by Wang Xiaoying in 2012 and Lin Zhaohua in 2001 as examples.The application of Chinese elements in different directions in drama,and discuss the advantages and disadvantages of its cross-cultural communication effect.This article believes that Wang Xiaoying's version integrates the elements of Chinese opera chanting and image expression into the performance,and uses the elements of square characters in the design of the stage design,realizing the external application of Chinese elements.Lin Zhaohua's version simplifies the stage setting and uses the performance form of Suzhou Pingtan on the basis of retaining the plot of the original Shakespeare play,realizing the internal application of Chinese elements.