环境史视角下川江流域山地旧城标志性码头空间现代化演进研究——以重庆朝天门片区为例

Study on the Modernizing Evolution of Mountainous Old Town Landmark Ferry Space in Chuanjiang Valley from the Perspective of Environmental History:Taking Chaotianmen Area in Chongqing as an Example

川江流域山地旧城码头是城市山水文化要素富集区域,梳理其空间营造现代化演进历程能为山地旧城码头更新中保护山水风貌提供历史参照。重庆朝天门码头是川江流域山地旧城标志性码头典例,从1927年至1999年间持续现代化,但始终维持了空间营造与山水环境间的平衡。借鉴环境史研究模式,分析1927-1999年间朝天门码头空间营造与山水地形的互动关系演进,指出该过程中片区空间营造追求现代性和纪念性,但处理山水地形时有两个恒定特征:始终保证了码头作为山水风貌富集地带的公共性;始终维持了大众对山水地形敏锐的身体感知。最后结合对当下朝天门码头更新的反思,指出这两个特征是川江流域山地旧城标志性码头在更新中延续其山水文化特征所应遵循的原则。

The mountainous old town ferries in Chuanjiang Valley are rich in mountain-water cultural elements,and investigating their space’s modernizing evolution process could contribute historical reference for preserving mountainous old town ferries’mountain-water features in urban regeneration.Chaotianmen area in Chongqing is a representative case of mountainous old town landmark ferries in Chuanjiang Valley,and underwent its modernization from 1927 to 1999,but maintained the balance between its space construction and mountain-water topography in this process.This paper applies environmental history’s analytical mode to study the evolution of the relationship between Chaotianmen ferry’s space construction and its mountain-water topography from 1927 to 1999,pointing out that the area’s space construction kept pursuing modernity and monumentality,but its reaction to topography had two constant features:its space construction maintained the public nature of Chaotianmen ferry as an area of rich mountain-water features,and maintained the public sensitive bodily experience of topography.In combination with rethinking Chaotianmen ferry’s regeneration today,the paper ends by arguing that these two features are the principles for inheriting the mountainwater characters of mountainous old town landmark ferries in Chuanjiang Valley during their regeneration.