摘要
利用砖石等材质模仿木构建筑的整体空间、构造节点或局部形象,是我国古代墓葬文化中一种持久流播的传统。相较学界对于"仿木"案例的广泛引用,关于该现象的定义却未经过系统阐释,这导致跨越多个学科的"仿木"概念不尽明晰。从"何为仿木""为何仿木"及"如何仿木"3个方面回顾过往研究成果,并通过进一步剥离既有成果中的"对象"与"现象"要素,梳理和评述学界关于仿木墓葬内涵层次、目的意义与实现机制的探讨,以期完善针对这一现象的整体认识。
The wood imitation phenomenon,which refers to use bricks to simulate the spatial composition,the constructional joints and the detailed images of the wooden structures in the tomb,is a long-standing burial culture.However,the definition of such phenomenon has not been systematically interpreted,though mass cases has been extensively referenced already.The thesis tries to comb the discussion on the implication hierarchy,the design purpose and the implementation mechanism of the tomb’s decorative tradition through stripping the phenomenological interpretation from the objective description,hence to improve the overall understanding of the phenomenon by figuring out what,why and how to realize it.
作者
喻梦哲
张学伟
YU Mengzhe;ZHANG Xuewei
出处
《建筑学报》
CSSCI
北大核心
2020年第S02期171-178,共8页
Architectural Journal
基金
教育部人文社科青年基金项目(20XJCZH014)
关键词
研究综述
仿木现象
内涵层次
多学科视野
实现机制
research summary
wood imitation phenomenon
the implication hierarchy
multidisciplinary vision
implementation mechanism