摘要
自红砖美术馆建成,十余年间,园林部分多有增改。之前庭园、建筑过于分立的问题,在一系列补筑中,以调整面向与留空两类方法得以修正,逐渐增补出一些居游生气;因利用加盖屋顶新增的三条顶游路线,得以增补庭园应有的居游密度;在增补间历久繁茂的植被,得以评价其花木最初设计的得失,视觉上,虽有框景单株植物,更注重经营林木深意,相较清水会馆中的列队庭植,已向山林迈进。
Since the Red-Brick Art Museum was built,for more than ten years,the garden has accumulated several additions.Through adjusting the building orientations and giving open-air spaces under the roof,these small projects tackled to the former problem of the garden and building parts being too separated,and gradually brought more livable and wander-able places to the museum.Adding roofs for the previous open areas,being the common operation in the additions,created three new rooftop routes.The density of livable and wander-able places thus has been increased.The lush flowers and trees in the garden finally could help to evaluate the initial planting design 10 years ago.Although there are framed single plants for visual pleasure,more attention was paid to create the atmosphere of forests,which could be considered a great step forward from the Qingshui Huiguan,a garden residence project designed by Dong Yugan.The project has just been dismantled.
出处
《建筑技艺》
2023年第10期50-56,共7页
Architecture Technique
关键词
庭园建筑学
位置经营
山水居游
花木配置
the study of garden architecture
consideration of position
living and traveling in Shanshui
planting design