试论中国共产党对左翼电影文化建设的引领

On the Communist Party of China’s Guidance to the Dissemination of Left-wing Film Culture

20世纪30年代,以上海为中心的左翼电影兴起是中国共产党改造现实与弘扬革命的一次重大文化实践,它实现了本土电影形态从泛道德化的“复古”到直面社会历史语境的“介入”。以成立“党的电影小组”为发端的一系列组织领导和“有片必评、互鸣互纠”的思想指导,使中国左翼电影意识形态话语的生成和建构,完全有别于以往电影创作与研究中那种个人式的单纯、自为的文化思想活动,并最终发挥了电影在中国共产党整体文化事业中的重要功能。这不仅使得左翼电影本身的创作和批评在当时影响甚巨,还深刻影响了中国电影后续的表现形式与精神气质。

In the 1930s, the rise of left-wing films centered in Shanghai was an important cultural practice which the Communist Party of China transformed reality and carried forward revolution, and it realized the form of local films from the “retro” of the panmoralization to the “intervention” in face of social historical context.A series of organization and leadership starting from the establishment of “The Party’s Film Group” and the ideological guidance of “every film must be reviewed, and mutual criticism and correction” made the generation and construction of the ideological discourse of Chinese left-wing films completely different from the simple and self-centered cultural ideological activities in the previous film creation and research, which finally realized the role of film in the whole cultural cause of the Communist Party of China.This not only made the creation and criticism of left-wing films very influential at that time, but also profoundly influenced the subsequent forms of expression and spiritual temperament of Chinese films.