从《沧浪之水》看池大为社会关系的生产与再生产

On Chi Dawei's Production and Reproduction of Social Relations from Kaleidoscope

较之评论界将《沧浪之水》定性为知识分子小说或是官场小说不同,本文尝试从文学社会学层面将其定性为关系小说,拟从“差序格局、社会角色、关系的生产与再生产”等概念入手来剖析围绕在池大为左右林林总总的关系,分析他的社会角色和社会支持网络的建构,进而拓展至中国人的关系研究。通过讨论可以看到费孝通先生差序格局理论对关系研究以及文学外部研究的贡献,在“小人物、大角色”双重角色身份转换和“硬关系”情境中心中体悟《沧浪之水》独特的艺术成就,探索跨学科研究的魅力。

Different from the critics'characterization of Kaleidoscope as an intellectual novel or a novel of officialdom,this paper attempts to characterize it as a relational novel from the perspective of literary sociology.It intends to analyze the relationships surrounding Chi Dawei from the perspectives of"the pattern of difference sequence,social role,production and reproduction of relationships",and analyze his social role and the construction of his social support network.Then it extends to the study of the relationship between Chinese people.Through the discussion,we can see the contribution of Fei Xiaotong's theory of the pattern of difference sequence to relationship research and literature external research,understand the unique artistic achievement of Kaleidoscope in the dual role identity transformation of"little person,big role"and the"hard relationship"situation center,and explore the charm of interdisciplinary research.