现代“自我”的产生与五四新诗的文类策略和形式逻辑

The Birth of Modern “Self” and the Genre Strategy and Formal Logic of New Poetry in the May 4 Movement

作为一种现代文类,五四新诗的发生,与现代中国主体"自我"的起源密切相关。新诗的情感政治面向对五四时期的苦闷"自我"构成了强烈的表达吸引,语言、风景等认识装置的引入也为"内面自我"的发现提供可能。五四新诗更重要的意义在于,借助于一种综合的形式风格,生产出了一种社会化的自我形象。并且,经历长诗小诗的形式辩证,一种"曲折""深刻"的主体自我也被生产出来。这种能动性的自我又进一步投入到五四社会改造的具体实践中。

The birth of the May Fourth New Poetry,as a modern genre,is closely related to the origin of the subject"self"in modern China.The emotional and political aspects of the new poetry hold strong appeal for expression for the depressed"self"during the May 4th Movement.The introduction of cognitive devices such as language and landscape,also makes it possible to discover the"inner self".The more important significance of the May Fourth New Poetry is that it produces a socialized self-image by means of a comprehensive style.Moreover,after experiencing the dialectical form of long poems and short poems,a kind of"torturous"and"profound"subjective self is also produced.This active self is further devoted to the practice of social transformation in the May 4th Movement.