摘要
吴湖帆出身名门,活跃于民国时期的沪上画坛,是"海上画派"后期代表性画家之一。吴湖帆深厚的家学是他艺术创作的源泉,摹古却不拘泥于古的创新思想则成就了其个人画境的突破。除了艺术创作,吴湖帆亦是鉴定名家,在丰富的鉴藏活动中形成了具有科学性和现代性的鉴定理论。而作为美术教育家,吴湖帆破除门户之别,以风趣幽默的教学方式因材施教,为艺坛输送大批精英,同时积极提倡美术大众化。吴湖帆的艺术贡献在于他连接了传统与现代,他的艺术生活对中国近代现艺术史的发展有着深远影响。
Wu Hufan was born into a distinguished family and was active in the Shanghai painting circle during the Republic of China.He was one of the representative painters of the late"Shanghai School of Painting".Wu Hufan’s profound family education is the source of his artistic creation,and his innovative ideas of copying the ancient but not sticking to the ancient have achieved a breakthrough in his personal painting style.In addition to artistic creation,Wu Hufan was also a well-known connoisseur,forming his scientific and modern theory of appreciation in his various appreciation activities.As an art educator,Wu Hufan broke down the barriers between different schools,and taught students in accordance with their aptitude in a humorous style,supplying large numbers of elites to the art world,and,meanwhile,actively advocated the popularization of art.Wu Hufan’s artistic contribution lies in his connection between tradition and modernity,and his artistic life has a profound influence on the development of modern Chinese art history.
出处
《江苏社会科学》
CSSCI
北大核心
2021年第2期126-133,243-244,共10页
Jiangsu Social Sciences
基金
国家社科基金艺术学重大项目“中国美术史学史研究”(19ZD19)阶段性成果之一