从神圣时空到荣耀神学——莫尔特曼神学美学探析

From Divine Time and Space to Doxological Theology:an Analysis of Jürgen Moltmann’s Theological Aesthetics

本文以莫尔特曼关于犹太传统观念中的“安息日”和“舍金纳”思想的论述为切入点,对莫尔特曼以此二者为基本维度构建的神圣时空观以及由此得出的荣耀神学展开阐述,并得出结论:荣耀神学是一种以终末论与圣灵论为旨归、超越了求真之思辨神学与求善之实践神学的神学美学。

From the perspective of Moltmann’s absorption of the traditional Jewish concepts of the Sabbath and the Schechina,this essay attempts to make an analysis of Moltmann’s theological aethetics,i.e.,the doxological theology.It concludes that the doxological theology,with its dimensions of eschatology and spirituality,and its rich aesthetic connotations,has transcends the speculative theology and the practical theology.