从“鼓盆而歌”看庄子的生命美学

Viewing Zhuang Tzu’s Life Aesthetics from “Face Death with Positive Attitude”

庄子生命智慧的核心,无疑是安变的生命美学。随着生存环境的递嬗,面对着人为物累、心为形役之朝不保夕的社会现实困境,庄子从其"鼓盆而歌"的精神面向入手,由"偃然巨室,向死而生"至"气聚则生,气散则亡"的生命形式;升华为"虽死犹生,生不如死"到"如如来之,如如去之"的美学姿态。参悟"未始有物"从而提出"一气之化"的救赎之道,并以此作为超越现实桎梏、顺适生命自然,于死生如如的善待价值中,重获逍遥生命的意义劲道。

The core of Zhuang Tzu’s life wisdom is the life aesthetics that can calmly change.With the changes in the living environment,facing the exhaustion of people and hearts being precariously made by external things,it has become a social reality dilemma.Starting from the spiritual aspect of"face death with positive attitude",Zhuang Tzu changed his life form from"sleeping in a huge room,being-towards-death"to"birth brought back by gathered Qi,which results in death when dissipating".Later,it is sublimed to the aesthetic attitude of"live on in spirit,and living death"to"come and go freely".To understand"there is nothing before"and put forward the way of salvation of"the conversion of one qi",and take this as a way to transcend the shackles of reality,adapt to the nature of life,and gain the meaning of free life from the kind value of death and life as such.