城市文脉的文化用典——以宋代诗词中的扬州书写为中心

Cultural Allusions of Urban Context: The Yangzhou Writing in Song poetry

扬州作为江淮文化重要的发祥地和辐射地,在中国地域文化的分布中地位重要。在文化集大成的宋代,扬州的城市文脉在宋人引用前朝唐人的诗歌典故中,在延续前朝城市文化的同时,也形成了具有本朝特色的城市文化,并进一步向前发展。南朝梁时的"何逊在扬州"、晚唐杜牧的"珠帘十里"、北宋欧阳修的"平山阑槛倚晴空,山色有无中"这三个共存在宋人笔下的扬州典故形成和改变了扬州的城市印象,同时也反映出宋人复杂的心理:一方面表达出对唐人文化和唐时城市繁华的景仰与追慕,另一方面也呈现出意欲包揽古今,甚至超越前朝古人的壮志与情怀。

Yangzhou,as an important birthplace and radiation of Jianghuai culture,plays an important role in the distribution of Chinese regional culture.In the Song Dynasty,when the culture was integrated,Yangzhou’s urban context continued the urban culture of the previous dynasty while the song people quoted the poetry and allusions of the Tang Dynasty.At the same time,it also formed the urban culture with the characteristics of the current Dynasty,and further developed."He Xun was in Yangzhou"in the Liang Dynasty of the Southern Dynasty,"Ten li of bead curtain"by Du Mu in the late Tang Dynasty and"Pingshan Hall’s railing leans on the clear sky and the mountain color seems to exist and doesn’t seem to exist"by Ouyang Xiu of the Northern Song Dynasty are the three Yangzhou allusions written by Song people,which lies in the formation and change of Yangzhou’s urban impression.Meanwhile,it reflects the complex psychology of the song people.On the one hand,it expresses the admiration for the Tang culture and the prosperity of the city in the Tang Dynasty.On the other hand,it also shows the ambition to embrace the ancient and modern culture,and the aspirations to surpass the ancients in the previous dynasty.