本土与外来:齐白石早期人物画

Native and Foreign: Qi Baishi’s Early Figure Paintings

湖南有着丰富的早期齐白石个人及其艺术史料遗存,研究早期齐白石个人及其艺术有着得天独厚的条件。本文通过分析齐白石早期肖像画、美人画和炭精擦笔人物画,论述经历时代风云激荡的画家,立足本土,学习外来,为实现中国画艺术现代性转换作出的初步努力,对于全面深入研究齐白石和齐白石艺术有着重要的意义。

Hunan abounds in historical materials and remains related to Qi Baishi’s early life and his early art,providing advantageous conditions for the study of these two aspects.This paper,through Qi Baishi’s early figure paintings,beauty paintings and shaded charcoal figure paintings,discusses how this painter while experiencing social turmoil of the time kept a foothold in native art,learnt foreign art,and made initial attempts to realize the transformation of traditional Chinese painting to modernity.It holds great significance to the comprehensive and in-depth study of Qi Baishi and his art.